Tag Archives: Sting

Nov
18
2011
(Crappy) Photo Friday: Sting Back to Bass Concert

Possibly the Longest Intro to a Concert Review Ever

Sting is my Yoko Ono. He broke up my favorite band of all time. Unlike Yoko, Sting was actually in the band he broke up so I liked him as much as I hated him. I followed Sting’s solo career hoping it would sound something like the Police. It didn’t.

But I enjoyed his first three solo albums and was mostly with him through the fourth.

In the 80s, I read a Sting quote basically saying he wanted to stop before getting old; something about prancing around on stage as 50-year old being undignified. I remember being panicked at the thought of no more Sting music. Then Mercury Falling came out and I wish 30-year old Sting had convinced 45-year old Sting to stop before pouring that noise poison into my defenseless ears. I didn’t like a single song on that album.  Verily, verily I cried unto Sting, “What did I do to deserve country music?”

The televised concerts I saw during the Brand New Day era were awful. He rearranged song after song to sound alike–S-L-O-W and stripped of all their energy. Sting is the artist and the music is his canvas and all that shit, so he can rearrange his own songs however he wants. But I am free to hate the crap out of it.

In his early solo phase, I called his penchant for rearranging “jazzification.” The jazzifying strained, but did not break, my patience.  After hearing the “All This Time” re-interpretation of songs, I changed the term to “Stingification.” Because there was no jazziness, no sign of life at all, in these arrangements. Stingification is a term I’m trying to get into more common use. It simply refers to someone pissing all over something you love because they can. This makes me so sad:

Back to Bass Tour – DAR Constitution Hall – November 10, 2011

Last week, I gambled and went to my first solo Sting show since 1991. The tour was meant to celebrate 25 years of Sting, which implied a focus on his best stuff. I purposely didn’t investigate the set list or the new “best of” CD, because I wanted to keep hope alive.

First things first, Sting is an amazing-looking 60-year old. I was a little taken aback when he came out almost as bald as a cue ball, given the contrast from his recent Grizzly Adams phase. Maybe he just seemed small from my vantage point, but something about his head and how wee he looked made him appear almost elfin.

I didn’t really have any complaints about the five-piece band, you know, other than their not being the Police. The song arrangements were pretty tight and not overly slow. Sting also seemed to be singing more normally than he did during the Police reunion, without any of the annoying mumbling and “scat” vocalizing I got chastised by Sting fans for complaining about on the Police fan club forum (one of my fellow complainers totally nailed it with this, “It’s like the words are running down his chin!”).

The show started out very energetic and promising. But even though everyone sounded great, the energy ground to a halt for me pretty quickly because of the set list. Sting and I simply disagree on what his best work is.

Highlights

The energetic opening of “All This Time, “Every Little Thing She Does is Magic,” “Seven Days,” and “Demolition Man.” “Seven Days” was probably my favorite performance of the night. It was my favorite song from Ten Summoners’ Tales and it sounded like it should sound, which is so unlike Sting it made me smile.

“Fortress Around Your Heart” This is one of the only solo Sting songs I ever thought sounded Police-like so I’ve always loved it. While they played it, I was transported to Blossom Music Center in Cuyahoga Falls, OH where I saw Sting for the first time with my big brother when I was in seventh grade.

“Message in a Bottle” Sting came back out alone at the end and did it sort of Secret Policeman’s Other Ball style, which made me all warm and fuzzy inside remembering how much I loved Sting in my youth. Look at how lovable Sting was in 1981:

Disappointments

I couldn’t get over the song selection. If Sting’s written a country song he didn’t play, I’m not aware of it. About half the songs were from Mercury Falling onward. Sting talked more than I’m used to between songs, mostly about song writing and the stories behind his songs. I really enjoyed that, and found it necessary since he played five songs I didn’t even fucking know. Four were from Sacred Love, which I naively never imagined he’d dip into that much because it sucks (and now I’ve just increased my possible human alienation count by as many as a million or so more people, assuming the million or so people who bought this album think it doesn’t suck…sorry, write your own review).

Sting clumped these low energy songs together, sometimes three to five at a time, which didn’t allow the show to build or sustain any momentum. I got bored during those stretches and if it weren’t for the backing vocalist screeching like her pubes were being pulled out on “Hounds of Winter” and the electric violin solos on a couple of songs, I might have fallen asleep.

The backing vocalist was very talented, but her performance on some of the songs got a little too theatrical for my taste. Every line seemed to have deep meaning for her.

As a Police fan, I also have no particular need to hear Sting and his back-up band play a lot of Police songs. He played six and while most sounded OK, I missed Andy on “Driven to Tears.” More importantly, note to Sting: PLEASE. STOP. PLAYING. NEXT TO YOU. LIKE. THAT. Thank you.

Worst of all, Sting didn’t play a single song from my favorite album, Nothing Like the Sun. My two favorite solo songs are “The Lazarus Heart,” and “Be Still My Beating Heart,” and I realize “The Lazarus Heart” wasn’t a single, but “Be Still My Beating Heart” was a rather successful single. Why was it excluded from the show and the “best of” CD? It can’t be as petty as Andy having played on it, right?

Summary

If there’s one guy, just one guy
Who I’m not going to see live again, oh my…
It’s hard to say it
I hate to say it
But it’s probably Sting.

Crappy Photo

Because I still regret talking myself out of taking a camera when Dave and I had front row seats to see the Police in 2007, I now take a camera to every show even though concert pictures are always low-quality crap. Here is my obligatory, proving I was there, crappy picture of Sting and people’s heads. Elfin, no?

Apr
5
2011
Something In Our Minds Will Always Stay*

Sting sang to me through my headphones as my Mom drove our getaway car. The haunting sounds of the song “Fragile” perfectly matched the fresh wound of the argument replaying in my mind.

“Tomorrow’s rain will wash the stains away, but something in our minds will always stay.”

I clutched my walkman and sunk into the seat, and tried to focus on Sting instead of my father’s rage, which still echoed, distorted and menacing.

“On and on the rain will fall, like tears from a star…”

While Dad was not physically violent, the threat of violence always felt real. Anxiety weighed us down, more oppressive since my older brother left for school. Mom and I retreated each evening to her bedroom. Hiding there, we would eat takeout, watch TV, and pretend that the closed door protected us.

My prayers finally answered, Mom rented a house across town, closer to my school, further away from Dad. He wasn’t supposed to find out until the last possible second, but somehow he knew. He was blisteringly drunk, in a blind rage, and in possession of several serious weapons, but none of those things distinguished that night from many others. But now he was also armed with the news that we were planning to leave him.

“How fragile we are…”

Mom said we needed to leave and hurried up the stairs to pack some things. I didn’t follow. Dad moved toward the staircase and I sat on the bottom step defiantly. I studied his face and worried we weren’t going anywhere. I blocked his path, partially to stall for time and partially because I believed I could calm him.

“Perhaps this final act was meant, to clinch a lifetime’s argument…“

Crying always made me feel weak, but my tears could quiet his rages. The tears dampened his fiery anger and he would slink off, still steaming about some perceived injustice, but knowing he’d gone too far. He’d made his baby girl cry. He was sorry, until next time.

So I looked up at him and managed to cry out “Why are you doing this?” before dissolving into tears. In response, he mocked me. It was chilling. I fled up the stairs and packed as much and as fast as I could. My head hurt and my heart ached while trying to decide what I could leave behind. I didn’t believe I would ever see anything I left behind again.

The drive to Gram’s house took less than five minutes, the soundtrack provided by “Fragile.” The song burned this night into my memory. Defeated, but safe for the moment, I sobbed as quietly as I could until I fell asleep in Mom’s childhood bed.

Mom insisted I go to school the next day even though the sight of my face in the mirror horrified me. The night of sobbing disfigured my eyelids and had nearly swollen them shut. I went to school but I wasn’t really there. My pulse quickened when I thought about what was supposed to happen at home, what might happen.

Indeed, my world transformed while I was at school. But the contrast between the past and walking into my new home after school was like stepping from black and white into the motion picture Oz in Technicolor. While I was away, my Mom made magic. She moved our lives to this new house. All of my things were safe, my room ready for me. My Mom was safe. Her friends were with her. Everyone was smiling. We felt lighter, we were free.

With this move, she rescued my soul and made all things possible.

This was 23 years ago and from the first day of our new life, the dark memories receded. But hearing “Fragile” still transports me to the night we had to flee my Dad. I feel the sting of my father’s mocking and the uncertainty about what the next day will bring.

———–

*The title and italicized lines are from “Fragile” by Sting.

I planned on taking a little break from RemembeRED writing prompts so I could catch up on my considerable backlog of other post ideas. But this prompt resonated with me too much to let it go.

This week’s prompt: “Have you ever heard a song and suddenly you were swept back to a time in your life you had pushed to the back of your memory?…This week, your memoir prompt assignment is to think of a sound or a smell the reminds you of something from your past and write a post about that memory. Don’t forget to incorporate the sound/smell of your choosing!”

I have been writing posts at least partially related to this prompt for several weeks. Earlier this year, I started an iPod shuffle challenge—listening to a complete shuffle of everything on my iPod without skipping any songs. Each week, I write about what I heard, including the random memories that certain songs evoke. The song “Fragile” came up in the shuffle several weeks ago and I wrote about both of the memories this song evokes for me here. This post expands on one of these memories.

Constructive criticism welcome, in particular I found it hard to show rather than tell. Perhaps because this is a critical piece of my life story, I am compelled to tell it.